The story of “Abstain” revolves around the distinction between the representation of acts and their reality. While the act of a stick striking a man is one thing when written in a book, it is another when actually performed. Similarly, adultery and murder are one thing when written in religious texts like the Torah, but quite another when practiced. The same applies to the open worship of Satan.
When newspapers scream about these issues, the screaming is not about the acts themselves but about the pointer that directs attention to them. The story of “Abstain” is the stick used by one party to beat another, and the outcry is the result of this beating.
The people involved lack roots and are falling into a bottomless pit. To ignore the chaos, they turn to alcohol, but that is insufficient. This leads to adultery, then homosexuality, then murder, and finally the open worship of Satan. When these acts are no longer enough, everything is declared publicly. This is “Abstain,” where everything screams. Cinema, painting, philosophy, and the arts all scream about this reality.
In recent years, the “Abrahamic” call has exploded, claiming to unite the faiths of Moses, Jesus, and Muhammad. However, the phase of doing everything openly reveals that there is no Moses, no Abraham, no Jesus, and no Muhammad; rather, it is the open worship of Satan. The greatest evidence that this matter is Satanic is that the call requires a long time to take root, and those who promote it die before seeing results, leaving only Satan. The truth of the current world is this, and “Abstain” is the practical application of this entire matter, having brought it into the open.
